Wednesday, March 27, 2019

This is not a ukulele post

Spoon butter cooling

Since I retired I've been participating in the Calgary Retired Teachers' Art Show. It's not a way to make a ton of cash but it's nice spend a day chatting with like-minded folks. There are always lots of great paintings and sometimes there are ceramics and jewelry as well as my offerings of wooden objects.

For a number of years I've brought wooden boxes and they haven't sold terribly well. The problem with an art show by retired teachers is that our friends are pretty much the same age as we are and, while they come to support us, many of them are trying to downsize rather than acquire more stuff. I don't go with the idea of making money and there's no fee for a table or easel. The Calgary Retired Teachers' Association takes a reasonable cut of what we sell. If I don't sell anything, I don't pay anything.

This year I decided not to take any boxes. Instead, I branched out with some photographs printed on metal and some photo cards. In terms of woodwork, I offered only kitchen tools, spoons of different sizes and shapes and kitchen multi-tools. To my great delight I sold three photographs, eleven kitchen tools and a few photo cards.

One of the most frequent questions I get when I sell kitchen tools is how to take care of them. My usual answer is to hand wash them; don't soak them, and give them a rub with mineral oil every once in a while. Even though mineral oil can be found in just about any pharmacy and it's relatively inexpensive, people seem reluctant to use it. I know many prefer to use olive oil and have had no problem with it although I understand it can go rancid. After answering the question a number of times on the weekend and getting the now familiar hesitation, I decided it was time to get off my butt and make my own wood conditioner. It's not difficult and all the recipes on the net are about the same. Mineral oil is easy to find and I turned to Amazon for bees wax and two ounce jars. One recipe I read also suggested adding a few drops of lemon oil to make it smell nice.


Richard filling the jars
Tonight I undertook the project. I found a jar with a wide mouth that I've been saving for something, I don't know what but it was perfect for this project. I poured bees wax and mineral oil into the jar and heated it in a pot of water regulating the heat and stirring it with a chopstick, wooden of course. I didn't keep track of how long it took but it wasn't a huge job. When the ingredients were all nicely melted together I took it off the heat. At that point Richard came into the kitchen and offered to help so he filled the jars using a soup ladle. It wasn't a particularly messy process and the ladle wiped clean with a paper towel. We wiped as much as we could out of the big jar with our fingers and put it on various cutting boards and utensils. The big jar will be reserved for making spoon butter so we didn't need to clean all the butter out of it. We'll let the boards and saute tools sit over night and I'll buff them in the morning.



Cooled spoon butter and a couple of happy kitchen tools
I'll do some tweaking to the next batch. This first one doesn't have much scent. The beeswax I bought seems to have no smell and I didn't add enough lemon oil to give it that hint of citrus. Despite that, I think it will work very well and I intend to keep a jar in the kitchen so that whenever the tools start to look a little dull I can give them a treatment. Because it's the consistency of Greek yogurt, it's easier to apply than liquid mineral oil. As a bonus, my rough, scratchy hands feel fairly smooth tonight.

The next time someone asks me how to take care of a newly-purchased kitchen tool I can tell them that I have the very thing for them at a nominal cost.

Sunday, March 17, 2019

More rosette screw-ups, or rather, learning opportunities







Top #1 before I sanded through the abalone
Well if it seems these days I'm obsessed with ukulele building I am. I've semi-abandoned the original top I was working on for the concert. Last week I built another rosette and glued the plates together for the new top. We talked about what I could do with the top #1. Options range from continuing to putter away at it at a pace that doesn't affect the rest of the build, to making a box from it, to saving the rosette and using the rest of the top for bridge plates. Top #1 still sounds really good so I'm loathe to give up on it just yet. I may have to eventually but for now I'm continuing to work on it - in my spare time.

One possibility is to fill the gaps with black epoxy. I did that. I'm not the neatest person when using epoxy. No, let's rephrase that: every time I mix up epoxy I make one hell of a mess, sometimes of myself, sometimes of what I'm gluing and sometimes of both. When I used the black epoxy I discovered that some of the walls of the channel for the rosette weren't as clean as they could have been and the black seeped into the end grain leaving splotches. Okay, I can fix that. Cut another circle to go inside the original one and inlay that. Make a pattern on the outside and inlay pieces to cover up the splotches there. It took a while and I got both of those things done. I thought it looked pretty good.
Ready to replace a piece of abalone @ 2:00
Pieces @ 7:00, 9:00 and 11:00 need replacing

The next step is to sand it flat. Oops. It's now flat but I've sanded right through some of the abalone and the veneer substrate is showing. Okay, I can fix that. Use a very small chisel to dig out the abalone where it's too thin. Cut new pieces and replace them. Got one section done and glued in and guess what? It's too low so I won't be able to sand down to it. I could take those pieces out and try again, first putting down some epoxy to raise the bottom of the channel. I think that would work. Since I have four other sections to replace, I'll hold off on that decision. While I'm at it I might as well replace the wooden ring I put on the inside because it is too thin and I've sanded down to the black splotches I was trying to cover up. I'll use thicker wood and I think it would look better if I used the same wood for the inside ring as I did for the outside detail.

There's actually quite a bit of good news in all of this. I haven't gone all the way through the top. Knock wood. Also I'm getting much more accurate with the fine chisels, knives and the jeweller's saw. The other woodworking I've been doing is great training for sneaking up on a fit although I have to adapt to different tools to do it. I know, for many of you, this will only confirm that I need my head read but I'm enjoying the challenge of trying to salvage this top. If I can salvage it I guess I'll have to build a ukulele around it and if I can't it will become a box, sound hole doughnuts or bridge plates. Or, maybe I'll just hang it up with the other failed top I have to remind me of how far I've come and how far I have yet to go.
Rosette for top #2
Tools of the trade, pencil for scale
The other rosette for top #2 looks really messy but it's flat on the back and I'm not going to clean up any of the goop on the front until I get it inlaid into the top. I hope when I come to sand that one flush with the top I'll have enough material so I don't go right through the abalone. If I do I get to practice some more.

Stay tuned.