Since I started to build ukuleles I’ve been struggling to find the right design for my headstocks. The headstock is one of the places on a stringed instrument that the maker gets to leave a distinctive mark. Koaloha ukuleles, one of the premier Hawaiian brands, uses a crown design which makes their ukuleles instantly recognizable.
Koaloah's signature design |
The first ukulele I made had an interesting headstock design but looking at it now it seems a bit fussy and, while I don’t mind it, I don’t want to replicate it on other instruments.
![]() |
Ukulele #1 |
The next two ukes I built had simple rounded headstocks because I couldn’t think of anything better.
![]() |
Rounded and ho hum |
They are ok but I want something a bit more unique. I played around with the shape that I used at the end of the fingerboard on the ukulele I call ‘Little Red.’
![]() |
Couldn't get this shape to work |
I very much like it because it looks a bit like a bird in flight, yet I just haven’t been able to make it work although I have tried it on two different instruments.
A couple of months ago I sat down with some graph paper and started to draw potential shapes. I did a couple of pages and then left them sitting on my desk where I could look at them. Still nothing appealed until the other day I decided to have another go at it.
On the 46th drawing something sparked my interest so I started to play with variations. There was something about reversing the direction the curves that intrigued me.
As I worked I remembered a conversation Jake and I had about the headstock on ukulele #6. I mentioned that it looked a bit like an M and Jake agreed. Why not incorporate my first initial into the design?I began to play with the top curves. Then I thought to combine the bumps on a lower case m with concave curves on the sides. I realized the shape I had was close to the bird’s beak shape I used on the bridges ukuleles 2 and 3.
![]() |
Bird heads on the bridge |
I traced the shape onto another piece of paper, cut it out, folded it in half and trimmed the edges so that the design would be symmetrical. I was hoping for a design that wasn’t symmetrical because it’s much easier for me to construct but you have to give up on one idea when a better one comes along and this design was growing on me even as I worked with it.
![]() |
This is the winner |
I don’t know how many more instruments I’ll end up building but this is the design I’ll use for the foreseeable future. That annoying little voice in my head that has been saying ‘The headstock’s not right, the headstock’s not right,’ has finally shut up and I’m excited to see my new design come together in wood.