Friday, August 1, 2014
Life with Odie: Part 1
(This looks like the day to clean house in the blog. Here's another entry that apparently didn't get posted until now. Knowing how life has progressed for Odie and the humans in his flock, you might be interested in the beginning of the relationship.)
I've always liked birds. I like them but they, at least the ones we have in our flock at the moment, seem to much prefer Richard. We got Odie, the Senegal parrot, just over a year ago. He was mainly my idea. I wanted a parrot that had the potential for training and was a bit more acrobatic than Bailey the cockatiel or Angie the budgie.
A friend told me that she thought a Senegal would be perfect. I did my research and talked to our avian vet who agreed that this particular species would likely be a good fit. We were set on having a male because they have more potential for talking and because we've had so much trouble with Bailey being broody and wanting to lay eggs. I've been checking out the bird ads on Kijiji for a couple of years now, just to see what's out there. I don't remember exactly when Odie came to my attention. An ad for him would appear and then it would be gone for a month or two. Then it would appear again. In the meantime Richard and I talked about whether or not we should get another bird. He wasn't too keen. I guess I was looking for a replacement for Koko the Quaker who was with us for 7 years and died very suddenly in 2007. In reality, I knew that it wasn't possible to replace a Koko. No two pets are alike.
Just before we went to Italy in the fall of 2009 I saw Odie advertised again. Of course, we couldn't do anything at that point because we were going to be away for three weeks but I decided that I would call about Odie if he was advertised again after we got back. In December of 2009 Odie's ad showed up again. He seemed to be well-socialized and, according to the owners, interacted with both of them. We arranged to meet Odie. He let me pick him up and return him to his cage although he did set his beak on my hand when I put him down on one of his perches. We went home and did some more soul searching. A parrot that can live 40 years is a big commitment. We wanted to travel and as my mother was fond of saying, "Pets are a tie." Pets also enrich day-to-day life. We next arranged for Odie to have a health check with our vet.
We met the owner outside the vet clinic one cold winter day before Christmas. He handed us Odie in a box wrapped in a blanket and then went to get a coffee. The vet checked Odie over and took blood for the DNA testing. We returned Odie to his owner and waited for the results. By this time we'd pretty well decided we'd take Odie even if he turned out to be a she. The results came back: Odie was a relatively healthy male.
On December 27, 2009 Odie joined our flock. His former owner brought him and his small cage over to the house. I gave her a cheque and we proceeded to get Odie settled in. In the first days he seemed to accept me all right although I would get the occasional nip. I'm not sure at what point things went sideways for me and Odie. The nips became serious bites which often left a trail of blood on the kitchen floor.
I read many training manuals, watched DVD's on parrot behaviour. We had two consultations with our vet about how to stop the biting. Birds don't usually bite in the wild so somehow I had taught Odie to bite. All three of us were unhappy. Richard was unhappy because he didn't like to see me getting hurt and because Odie had chosen Richard when our plan was that Odie would interact with both of us. I was upset because I very much wanted to be able to handle Odie. I knew he was a smart bird and I had hopes of training him to do some tricks which, some of the literature said, would help a bird bond with its owner. Clearly something was off with Odie because he kept biting.
There were days when Richard wanted to find a new home for Odie right away. Parrots are intelligent and require a lot of daily interaction. Because, I didn't want to be bitten I stopped trying to handle Odie. That meant that it fell to Richard to attend to this energetic and demanding creature. There were days when I was ready to give up on Odie and give Odie up but I've never been one to give away pets once they are in my home and it wouldn't be fair to Odie to simply shuffle the problem off onto someone else. As the vet pointed out, "He's just being a bird."
(And five years later he is still 'being a bird.' I haven't been bitten for quite a while but then I haven't tried to scratch his head when he is outside the cage or pick him up either.)
Thoughts on Rotten Bananas and a Cockatiel
(August 1, 2014. I guess I got organized at one point and thought I would write a blog entry and post it later. I didn't expect I'd post it this much later.)
I love banana bread and occasionally I get around to making it. In the meantime if the bananas get a wee but too brown even for us I hoard them in the freezer waiting for a day when I decide to make banana bread.
I love banana bread and occasionally I get around to making it. In the meantime if the bananas get a wee but too brown even for us I hoard them in the freezer waiting for a day when I decide to make banana bread.
Earlier this year I had quite a few
bananas saved up. I read somewhere that the best way to freeze
bananas is to peel them before you put them in the freezer. I read
that after I had frozen a few in the skins. The internet was rife
with stories of how hard it was to peel the bananas once they were
frozen. As a result, I used up all the peeled bananas first. In fact
the ones in the skins sat there for months. One day I decided I
either needed to use the bananas or throw them out.
I took them out of the freezer and
looked at them. The skins were completely black and they were hard as
rocks. I had nothing to lose so I decided to try an experiment. I
unwrapped the bananas and stabbed the skins with a paring knife. I
had no wish for the bananas to explode in the microwave. I didn't
know if they would but I knew if you didn't prick the skins of
potatoes they would explode. I set the microwave to defrost, put one
banana in and waited. The microwave beeped when it was done and I
took out the hot banana. It was really squishy. 'How on earth am I
going to peel this?” I wondered. I cut the top off and gave the
banana a bit of a squeeze. Some mushy banana came out the cut.
I got a bowl, turned the banana upside
down and squeezed it like a tube of toothpaste. The banana slid
neatly into the bowl. I nuked the other two bananas and made banana
bread wondering why I had put off using the bananas for so long.
Something I thought was going to be an icky chore turned out to be
really easy and, the banana bread was delicious. There are many times
when I have put off doing something because I thought is was going to
be too hard or too unpleasant only to find out, when I finally got
around to it, that it wasn't nearly as bad as I expected.
There is a flip side to this story,
though. In January of 2013 our 17 year old cockatiel tried to fly off my
shoulder and had a rather hard landing on the stairs. The next day I
could hear a whistling noise when she breathed and when she tried to
tuck her beak into her back feathers to take a nap she couldn't
settle but took it out again and faced forward. She seemed to be
happy enough sitting on my shoulder but I was concerned. This bird
had been to the vet so often that the vet joked she should have her
own key to the office. I didn't want to take her in it if was
nothing but I wanted to make sure she was okay. I called and got an
appointment for the afternoon.
When I got to the vet's with her she
was running around in her traveling box squeaking in response to the
other birds in the office. Watching her, I began to feel foolish for
brining her in. Still, the receptionist assured me, it was better to
be sure. When we got into the examining room the vet listened to her
and palpated her abdomen. It was spongy and the vet recommended
x-rays.
They x-rayed her and brought her back.
Her abdomen was full of fluid and that fluid was pressing on her air
sacks making it hard for her to breathe. We could start her on
diuretics but the vet said given her age and her history the cause
was probably either a failing heart or a failing liver. In either
case the prognosis was not good. Since we had been jabbing her with
needles quite regularly for the past two years we thought it better
to euthanize her rather than subject her to more invasive treatment
that wouldn't likely change the outcome. The vet said I could take
her home to say good bye.
I called Richard and we agreed that he
would come to see her at the vet's and we would sign the necessary
papers to have her euthanized. My last glimpse of her was sitting on
Richard's shoulder and snuggling close to his neck. When I took her
in that day I didn't think we'd be returning home without her.
Why are these two incidents linked in
my mind? Perhaps because both serve to remind me that in simple and
in complex things I cannot predict the future and I really don't know
as much as I like to think I do. Sometimes, now, when I'm putting off
a task or rushing through a day without really paying attention I
remind myself to enjoy both the banana bread and the cockatiels that
cross my path.
| Bailey our first and oldest bird |
Adventures in Flospy: Ottawa
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| One Accord singing in the lobby on parliament hill Photo by Selim Sayegh |
Richard, who doesn't consider writing
among his favourite pastimes, is putting me to shame on the blog
front. During our recent trip across the country he wrote a blog
post every day. There was a wee bit of whining some days about why
he thought it was a good idea in the first place but he wrote
faithfully and his followers enjoyed the adventures. Since the list
of readers doesn't necessarily overlap, I thought I'd take the chance
to bring you up to date on our comings and goings so far this summer.
It has been an adventure in many senses of the word.
One Accord, the community choir in
which we both sing, got the opportunity to go to Ottawa for the
Unisong festival of choirs from across Canada. We decided to drive
“Flopsy” our 1984 Dodge camper van to Ottawa and then point her nose
east to see how far we could get. In Ottawa we sang our heads off for four days
and had a great time. The culmination of the rehearsals was three
performances at the National Arts Centre on Canada Day. The first,
in the morning, included all the choirs singing the pieces we worked
on the previous three days. Of course, we worked on the pieces
before we got to Ottawa but it was up to guest conductor Kelly Walsh
to put it all together beginning on June 28. It was great to sing for
her. She was very clear in what she wanted, was always positive and
had a terrific sense of humour.
There was one concert in the afternoon
and one in the evening both with the National Arts Centre Orchestra
and conductor Alain Trudel. Kelly Walsh prepped us ahead of our
rehearsal with Trudel saying that if the conductor didn't have to
tell us to speed up we would truly have made the grade. In her
experience it's common for orchestral conductors to remind choirs to
keep up. We were pleased with ourselves when Trudel didn't have to
remind us even once to keep up.
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| Mi'kmaq Honour Song during the choral concert Photo by Selim Sayegh |
The concerts at the NAC were fun and in
some ways much like any other concert. It might have been a different
experience for folks from smaller communities who are not used to
having performance opportunities in large venues. The most difficult
thing for me was trying to memorize the words especially the ones in
French. I confess to even needing a cheat sheet for the French verse
of 'O Canada.'
![]() |
| Concert with the NAC orchestra Photo by Selim Sayegh |
I was seated beside a grade 11 student
from Ontario who was quite willing to help me with the French. I
enjoyed talking with her at breaks and remembered fondly why I like
that age-group so much. Although the powers-that-be really wanted us
to perform without music they weren't actually standing in the wings
taking it away from us which, from my point of view, was wise. As
far as this particular chorister is concerned they had a choice of
gibberish words and improvised notes if I sang without music or
something far closer to being accurate and musical if I sang with
music. I did try to memorize the songs and, these days, I find it
much more difficult to get words and music to stick than I used to.
I can usually remember the notes but get mixed up when phrases repeat
with slight differences or lose count when we repeat the same phrase
a number of times. I'm not the only one. Thank heavens for the kids'
choirs and the high school and college singers who were able to get
the stuff into their heads.
While in Ottawa we toured the mint
which I really enjoyed. We also had a river cruise and were able to
find a spot to watch the fireworks on Canada Day. Our accommodation
while in Ottawa was in the university residence. Richard and I
shared a suite with our good friends Deb and Steve and we had a riot.
It was hard to fit in enough sleep because we stayed up late after
rehearsals and performances laughing talking and telling stories.
You're never too old to be silly and have a good laugh.
The only down side to Ottawa was the
humidity. I am not good in the heat. End of story. I have a few
chores to do so I'll save the rest of the adventure for a few more
posts, not exactly immediate news but a good way to recall a fun
summer nonetheless.
Saturday, August 31, 2013
My Mother's Sewing Machine
It was in the house before I was born,
bought sometime in the mid nineteen forties. Mum spent hours and
hours at that machine making most of the clothes for the two of us
until I moved out on my own. I loved to go with her each fall to pick
out fabric for blouses. I liked all the different colours and the
fact that my clothes were different from anyone else's. There were
turquoise fabrics, rusty brown ones and forest green ones. Some were
paisley and some had small flowers on them. Sometimes we bought
striped material and sometimes I wore checks.
Mum would bring the material home and
the first thing she did was to wash it. Once it was dry she would
pull a thread out to determine the true grain of the fabric. I don't
know whether grain is the correct word or whether I have transferred
that from my passion for working in wood, but I know that orienting a
pattern properly on the fabric was very important. She would then lay
out the fabric on the dining room table and place the pattern pieces
in such a way that she could get the most out of the fabric. Next she
took the tissue paper pattern out of its envelope and, if it was a
new pattern she trimmed the patten pieces down to the lines being
careful to cut around the notches so she could later mate pieces to
be pinned and sewn. Sometimes if the patterns were really wrinkled,
she ironed them to flatten them out.
When she was satisfied with how she had
laid out the pieces she pinned them to the fabric using steel
dressmaker's pins and then cut them out. The next step was to put the
pieces in the order in which she would sew them and do any basting
that was needed. She was pretty quick with a needle and thread. I
remember she was always slightly cross that in every single project
she had to pull out a seam. Even though she had sewn most of her life
she never got to the point she thought she should be where a garment
went together flawlessly.Many nights after I went to bed I could hear
the sound of her machine humming away in the room across the hall
from my bedroom.
I think she would liked to have passed
on her love of sewing to me but she never complained when I professed
to hate Home Economics, the subject in which she earned her
university degree, and grumbled that it was unfair that girls
couldn't take shop.
I did do some sewing. It was hard to
escape that in the compulsory Home Economics classes of the day and
Mum was a big support. She helped me with my projects. She never
sewed anything for me but she gave me the benefit of her years of
experience showing me an easier way to tie a knot in the end of a
thread or how to thread the sewing machine correctly. She gave me
tips for getting the seams straight and told me about the importance
of basting and pressing as I went along. I sewed what I had to sew
and happily gave it up as soon as I could.
Mum's sewing machine remained in her
house until she sold the house when she was in her early nineties. I
told her I wanted it, although I had no reason to since I did
everything I could to avoid sewing. Besides I already had a portable
machine willed to me by my grandmother. It was a more modern one
than my mother's. Somehow I felt I needed to take care of her machine
as she had taken care of it all her life.
When my mother died a few months short
of her ninety fourth birthday I held onto the machine. Many things
that had been important to her during her life were not important to
me and she understood that. She cleared out all of her silver and
china because I wasn't interested in them. Why then did I hold onto
the sewing machine which really didn't interest me either? Maybe if
was because I respected all the hours she had spent making clothes
for me. Maybe it was a symbol of her consummate skill or maybe it
was the object, more than any other, which made her who she was.
I know that once we let go of our
possessions we cannot expect anyone else to treasure them the way we
did and yet, I wanted someone to take the machine and appreciate it
in a way that my mother did and I did not. So, it stayed in our
basement. I made a few attempts to see if anyone wanted it and even
decided not to give it away to someone who wanted it because I didn't
think she would take proper care of it. I looked on kijiji a few
times for similar machines and it seemed they were a dime a dozen.
Nobody was going to want this old machine and yet I could not part
with it.
One day I read a Facebook post from a
friend requesting sewing machines for an NGO that works with women in
the Democratic Republic of Congo. Their mandate is to educate
children and to teach women skills and advance them micro-credit so
they can support their families. I called the number and and the
founder of the organization and her husband arrived the next day to
collect the machine.
When we brought it out to the car her
face lit up. She told me they loved to get older machines like this
one because they were sturdy and simple to maintain. She told me she
could tell it was in excellent shape. I gave her all the accessories
and the manual which Mum carefully kept with the machine. We had to
bungie the trunk down because it wouldn't close.
As the couple drove away I felt at
peace that the old machine had finally found a dignified home. My
mother was a teacher and, to me, it is fitting that the machine
should make the trip to Congo to be used by some women I will never
meet. I think Mum would have been pleased that her cherished machine
went to a place where it could help make the lives of some women and
children just a little bit better.
When I bought my piano the person who
sold it to me said, “Sometimes I think it is our function to hold
onto something until the right person comes along to accept it from
us.” I think she was right.
Labels:
fabric,
garments,
mother,
sewing,
Sewing machine
Tuesday, July 2, 2013
Empathy for John Smith
The rains have stopped and people
affected by the floods in Calgary and Southern Alberta are putting
their lives back together as best they can. Evacuation orders have
been lifted and many are back in their homes. The main theme of these
floods has been people helping people and, for once, positive stories
makes the news regularly. I have done very little to help, other than
staying off the roads and trying to conserve water. I look forward
to doing my laundry and having showers more frequently when the state
of emergency is lifted. We will also attend a benefit concert
tomorrow. It's not much but it's better than being in the way or
being, as some people have, a “Nenshi noun.” Google that one.
It's a good story.
My empathy for “John Smith” is for
all whom I know and don't know who have lost so much in the flood and
for all those who have worked tirelessly to help in whatever way they
could.
My empathy for “John Smith” is
also for a much more mundane reason: his name. Beginning in December
of last year I began receiving some rather puzzling emails. The first
emails that showed up in my inbox were newsy and interesting
describing a holiday in Australia. I know a lot of people and,
although I couldn't place the names, I thought we must have met the
couple on one of our cycling or hiking trips. I read the emails with
interest, still not able to figure out exactly who these people were.
I got an email about a property someone
wanted to buy and thought it must be some kind of Google aberration,
so I deleted it. Next I got a lunch invitation to a restaurant that
certainly isn't in Calgary. I wrote the sender back saying that I
would love to come to lunch but since I lived in a different city, I
was pretty sure I wasn't the intended recipient of the invitation. I
also expressed the hope that the intended recipient wouldn't miss a
lunch date because I got the invitation instead.
Next, I received an email from a woman
undergoing chemotherapy. The tone of the email was friendly and
familiar but I couldn't place the name. I emailed back saying that
if I knew her I was drawing a blank and asked her for some context.
I got another email saying that a previous email had somehow been
sent to another Marian Hood and giving me further updates on the
state of her health. I wrote back, wished her well and again said I
was not the person she wanted. The line from Star Wars, “These
aren't the droids you're looking for.... Move along,” began
marching through my head.
I figured out that the problem must be with
my gmail account. I hardly ever give out my gmail address because
even people who know me well sometimes misspell my first name. Then
I got an email from a church in Washington. I emailed the sender
saying that if I knew the email address of the person they wanted I'd
gladly save them a phone call by passing it along. I got a very
polite, somewhat startled, reply asking me to delete the previous
message. No problem.
Finally ( I'm a bit slow sometimes) I
googled my name. I expected to find a couple of references to
articles I have written and not much else. This time the first hit
was for Marian Hood, a realtor in Washington. The site included her
business email. I emailed her the story. I think she was as
surprised as I was that there are two of us who spell our names the
same unusual way. She promised she would do what she could to
straighten out things at her end and asked that I forward any emails
I received in error to her. So far I haven't received any more of her
mail.
The experience is odd for me in a
couple of ways. I can count on the fingers of both hands the number
of people named “Marion” I have met. I can count on the fingers
of one hand the number of “Marian's” I have met who spell their
names the same way I do. I'm simply not used to sharing my name with
anyone. I imagine for John Smith being mistaken for someone else is a
tiresome reality.
The second thing that struck me is
that, for a time, I felt part of a a specific network of friends who
tell each other of their travels, reach out to each other for
support, and plan lunch dates. I am grateful for the photos of
Australia and the lunch invitation even though they weren't meant for
me. This is a circle of good friends doing what good friends do for
each other. Somehow I'm glad this woman who shares my name is part of
such a circle even as I am part of one in a different country. It is
circles of friends like this who come together as a community to
offer their homes to flood victims, who don rubber boots to help muck
out basements. It is circles of friends who find ways in which they
can help others and, in so doing, give to their communities kind and
caring faces.
Friday, June 21, 2013
Calgary Flood
As I sit here dry and warm, the rain
drums on the skylight in the ceiling of my study. Normally this is a
soothing sound. Today it serves to remind me of the 100,000
Calgarians who have been evacuated from their homes because the Bow
and the Elbow rivers are in full flood. There are helicopter shots on
the TV networks and Facebook and Twitter are full of photos of
devastation. Many people have asked how they can help and Mayor
Nenshi has requested that we simply stay home and leave the streets
which are not flooded to emergency vehicles. Tempting as it is to go
out and do something or just to look, we are staying put.
We are lucky. Our foundation was
patched last year in the course of our basement renovation and the
drainage from next to the house was improved. We live on a hill, not
the highest in the city, but quite far up from the river. So far, we
are okay.
We talked to my father-in-law this
morning and he said there has been nothing like this in his lifetime.
There certainly has been nothing like it in mine. It is a strange
surreal experience to see video images of the pathways where I
trained for so many races now completely under water. Friends who
just moved to Bowness in the last week or so have had to evacuate
their new home which is now flooded, and, although the Bow has
supposedly crested, it continues to rain. One Facebook post
announced that the water had reached row 14 in the Saddle Dome in
Stampede Park.
The route my walking buddy and I take
on Mondays includes walking over the top of the Glenmore dam on the
Elbow River. Water is now coming over the top of the dam and there is
a huge lake behind the dam. I do not know this city in which I was
born and raised.
All this water reminds me that,
although we can do marvellous things with our technology and our
engineering, we are no match for the sheer power of the natural
world. It's easy to forget that. I am shocked by the devastation but
also humbled by the realization that people in all parts of the world
experience this sort of thing regularly. And so, as I listen to the
rain I will stay inside and be grateful to those who are working for
the good of the city, for those who have done without sleep for so
many hours so they can pluck people from their homes, for the
employees who pump water from the basement of the water treatment
plant so our drinking water is not compromised. We human beings can
be incredibly good to each other and one of the results of a
situation like this is that it brings out that good.
Labels:
Calgary flood,
Elbow River,
Glenmore dam,
gratitude,
walking
Thursday, June 6, 2013
The Right Way is the Way that Works
One of the first times I attended a
Freefall workshop was right after a day of cycling in the mountains.
Richard was going to drop me off at the workshop and he was giving a
ride home to another cyclist. The other cyclist seemed a bit
concerned that I was willingly walking into some kind of cult. Then I
didn't know what to expect. Now I do but that doesn't seem to help
me explain what goes on in a way that someone not involved in the
workshop will understand.
I don't think I'm often at a loss for
words but when people ask me questions about the workshop and I try
to answer them I know that what is in their minds isn't even close to
what I experience when bunch of writers get together to focus solely
on the process of writing and listening to each other's work. A
common question is, “What do you write about?” Seems like a
straightforward question but it's hard to answer. The general answer
is, “anything that comes up.” Sometimes I have an inkling of
what I'm going to write about when I go to bed. (We always write in
the morning.) Sometimes I'm thinking about a dream I had when I sit
down at my computer. Sometimes I have no clue what I'm going to
write about. When that happens I usually fall back onto my training
as a poet and begin by observing and trying to describe my
surroundings. Often I find myself taken back in time to something in
my family of origin. In the most recent workshop I found myself
engaging in a rant at an author whose work made me feel inferior and
stupid. Sometimes I sit down thinking about one thing and in a few
moments the writing takes off in an entirely different direction.
It's not process whereby I sit down to
write a poem or a piece of memoir or a short story although all of
those things have come out of it. I admit that, at first, I
mistrusted this way of writing having been in many writing courses of
one sort or another. There I saw people who sometimes had many pages
of writing that seemed to have no form. They were desperately
looking for someone to help them make all these words into something,
anything, and in those classes the usual suggestions for tweaking
abounded. “This image really works. You could take out that part,
extend this metaphor. ” Often the owner of the writing would go
away looking puzzled. It's not easy to bring together the rush of
creative imagination and the form and structure of a particular
genre.
Having now experienced the process of
Freefall writing as Barbara Turner-Vesselago teaches it and more
conventional process taught by many other gifted instructors, I am
incredibly grateful for both types of experiences. Freefall has
helped me to, “get out of [my] own way,” as Barbara often says. I
am also grateful for the years in which my more critical self was
developing. All writing experiences give me more tools for my toolbox
and the knowledge to pick and choose the best tool for the best job.
After I have written a piece I can put it away for a while and then
go back to it and identify, to a certain extent, where I can compress
the writing and where I need to find more accurate words. Sometimes I
can do that better than at other times. In working with hand tools
we call it, “workmanship of risk.” Just because I cut a perfect
dovetail yesterday there is no guarantee that I will cut a perfect
one tomorrow. Sometimes the writing flows effortlessly and has
tremendous energy to draw me in. Other times it is stagnant and flat
and no matter how hard I search around for something that has more
life to it, it remains flat. Perhaps the not-knowing is part of what
draws me to woodwork and to writing. I could set up jigs on the
machines in the shop to get the same results every time but I find
that I quickly lose interest. I'd rather be trying something new
even if it doesn't turn out very well in the end.
The only way I will run out of projects
to do in the shop is to run out of things I can think of. The only
way I can run out of things to write about is to stop thinking,
period. If I can think about it I can write about it. Much of what I
write will not move beyond the computer screen just as many of the
things I make from wood will remain with me because they are too
flawed to give to anyone else.
Barbara
has written a book which helped me place Freefall in the context of
what I already knew about writing. It's a good read, an interesting
read if you want to know more about writing.
If
you're interested in seeing an example of where I am in my work, in
part, because of Freefall you can find my first attempt at writing
for Kindle Dreaming
over Water
Happy
writing and happy reading to all of you regardless of which side of
the text you currently inhabit.
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